Art CV

Luther Thie
lutherthie [at] gmail [dot] com

Art Exhibitions and Presentations

About Future,
Millepiani, Rome, Italy, curated group show, “Sigmund on the Beach,” 3D Digital Render, Ink-Jet Print.

Off-Space at Minnesota St Projects, San Francisco, CA, curated group show, ink drop paintings on drum heads.

Acclair Art Valuation Service, Bruun Rasmussen Auctioneers, Copenhagen, Denmark.

I AM CRIME: Art on the Edge of Law, curated by Justin Hoover, SomArts, San Francisco.
Mind Symposium at Stanford University curated by Piero Scarufi.

Fuck All Y’All, Third Strike: 100 Performances for the Hole, SomArts, San Francisco, CA.
The Count, Ever After curated by Off-Space, Chapel of the Chimes, Oakland, CA.
Mine, Chain Letter, Shoshana Wayne Gallery, Los Angeles, CA.

LA Interchange, 2×2 Solo Show, ProArts Oakland, CA.
Acclair Art Valuation Service, STRP Festival of Art and Technology, The Netherlands.
O Pioneers, photographs in collaboration with Kathrine Worel, Siege at Kala Institute Gallery, Berkeley, CA.
Frontiers: On the Edge in Merced and Malibu, photographs in collaboration with Kathrine Worel, Design Observer Places.
Pushing Paper, Rhodes & Fletcher, San Francisco, CA.

Acclair Art Valuation Service, Take On Me, Van Abbemuseum, Eindhoven, The Netherlands.
Given, Seduction of Duchamp, Slaughterhousespace, Healdsburg, CA.
LA Interchange, Art.Tech, The Lab, San Francisco, CA.
Precipice, Berkeley Center for New Media commission.
No Obstacles, Tomorrow, Steven Wolf Fine Arts, San Francisco, CA.
Naos, Algorithmia, Root Division, San Francisco, CA.

Tilted Pole, Beautiful Eyesores, Art Engine Gallery, San Francisco, CA.
Artist in Residence, Headlands Center for the Arts, Marin, CA.
Naos, Villa Montalvo, Saratoga, CA (part of Montalvo Arts Center Residency June-Aug).
Hummer (Actions with the H2), 100 Performances in the Hole, Garage Biennale, San Francisco, CA.

LA Interchange, 21 Grand Gallery, Oakland, CA.
Acclair Installation, Corporate Art Expo 2007‚ The Lab, San Francisco, CA.
Acclair Waiting Room and Testing Room, John Q. Public & Citizen Jane: Private Americans in the Political Domain, University Art Gallery, San Diego State University, San Diego, CA.

Acclair Presentation, Sampling Oakland, Yerba Buena Center for the Arts, San Francisco, CA.
Acclair Service Bureau, ISEA 2006 ZeroOne Art on the Edge Festival, San Jose, CA.
Acclair Demonstration, Garage Biennale, San Francisco, CA.
Acclair Exhibit, Myth of History, 21 Grand Gallery, Oakland, CA.

One to Another, 21 Grand Gallery, Oakland, CA.
Acclair Exhibit and Presentation, Conference on Computer Human Interaction CHI 2005, Portland, OR.
Acclair Presentation, Dorkbot, San Francisco, CA.

AutoGrill Monument, Improbable Monuments, SF Camerawork, San Francisco, CA.
Acclair Service Bureau, Borderline, Fondazione Sandretto Re Rebaudengo, Turin, Italy.

Forget, Bu.Net Internet Cafe and Gallery, Torino, Italy, Video installation with Kathrine Worel.
Foam, Richmond Art Center, Richmond, CA.

Again, 21 Grand Gallery, Oakland, CA.

CorpCult, Sanchez Art Center, Pacifica, CA.

Cabin Fever, Scene/Escena, San Francisco, CA.

Shag, The Lab, San Francisco, CA.

Dildo, Railway Spine, San Francisco, CA.

Enormous Burden, Happy Hands, Victoria Room, San Francisco, CA.
Butterfly Affect, Urban Artists and The Natural World, installation with Kathrine Worel, Chapman College, Orange, CA.

Labyrinth/Laboratory, San Francisco State MFA show.
Nature/Nurture, The Science Fair, Southern Exposure, San Francisco, CA.

The Right Answer, Un Musee Miniscule, New Langton Arts, San Francisco, CA.

Laughter Walking, guerilla street theater, various locations, Los Angeles, CA.

Emerging Artist Award‚ ISEA 2006 ZeroOne (with Eyal Fried, Acclair partner)
Juried by Christiane Paul, adjunct curator of new media at the Whitney Museum of American Art, Deborah Lawler-Dormer, Director of the Moving Image Centre in Auckland, New Zealand, and Adriane Wortzel.

Acclair Service Bureau exhibition in San Jose City Hall, ZeroOne San Jose: A Global Festival of Art on the Edge & the Thirteenth International Symposium of Electronic Art (ISEA2006).

Acclairism: Questioning biometric technology through an airport security clearance system, Spotlight presentation: Safety in a Complex World, CHI (Conference on Human Factors in Computing).

Arts Residencies
Jun-Aug 2008
Montalvo Arts Center, selection through recommendation.
Oct-Nov 2008
Headlands Center for the Arts, Film, Video, New Media category.

Art Practical review of Ever After, November 2011.
Eindhovens Dagblad newspaper, October 21, 2009, review of Acclair Art Valuation Services.
Leonardo Journal of Art, Science and Technology, Creative Data special issue, essay by myself discussing LA Interchange, October 2009.
San Francisco Chronicle, Kenneth Baker review of installation Tilted Pole, 10/10/08.
Los Angeles Times LA Interchange.
ArtWeek, 11-2008, review of Acclair in Corporate Art Expo 2007 at The Lab, San Francisco.

Stanford Library, “Tomorrow,” boxed set of artist prints from 2009. My photo included: “No Obstacles Stand in the Way of a Good Cocksucker,” from “Inspirational Fortunes” series

Exhibitions Curated
1994 24 hours, San Francisco, CA.
2004 Borderline, Sandretto Re Rebaudengo, Torino, Italy.

MA 2004
Interaction Design, Interaction Design Institute Ivrea, Italy

MFA 1993
Sculpture/Installation, San Francisco State University (Honors)

BFA 1986
Studio Art, University of California Los Angeles